Caroline Bartlett's practice is driven by questions - for example around the tensions between personal recollection and the public ways of remembrance and the potential of materials and objects to trigger recollection and association.

In this exhibition Caroline will be showing new work exploring ideas around continuity and change as a concept, created in response to the CSC as current circumstances prevent actual access and handling and time is running, alongside the work 'Stilled' which she made as a site-sensitive response to the Spinning Room at Salts Mill for the exhibition 'Cloth and Memory'.

The exhibition is curated by Professor Lesley Millar, Director of the International Textile Research Centre