I have always been torn between ceramics and textiles and from one bout of depression to another my work has focused for weeks at a time on one or the other. Enjoyment of colour ( Les Fauves) and surfaces play within both practices. I love and am inspired by colour. When I cannot cope with the demands of pot making, I turn to textiles.

Inspiration comes from the raw materials. With textiles it can be the cloth, chinese indigo or african wax print, the weave, and the shape is built according to the way in which they fit one with another. The hand quilting is integral as this allows another dimension to the improvisation.

The recent needlework has come about through lockdown. It has provided a sense of purpose and continuity throughout the weeks of sameness. I love the swedish lined thread and the wonderful quality of the dyes. I create a shape on the canvas and work from there. Nothing is preplanned, I want to keep the work alive, one colour against another and so with the various shapes. Only when it is finished do I find out what the work has become.

Images by Carol Wainwright

I have always worked from home as it permits the integration of the domestic with the studio practice. This matters particularly with ceramics, being able to attend to the clay at the right stage of drying.

I have no idea as to what I shall do next other than continuing with the stitching until the ideas run out. I have painted, drawn, potted and stitched and at the moment it is to be stitch.

Meet the Makers

Here are some of the Makers and Artists we feature in our shop. Check back on our website or on Instagram @craftsstudycentre for future updates.

Carol Wainwright

HOW TO FIND US:

The Crafts Study Centre is open from 10am - 5pm Tuesday to Friday and 10am - 4pm on Saturday. The centre is closed on Sunday and Monday. Research visits by appointment only.